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ESCARGOT

by Ortance

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  • Record/Vinyl + Digital Album

    Ortance's 1st album is vinylized and released in March 2020.
    "Unknown Lettura" recorded at the end of the CD has been omitted to emphasize sound quality.

    Includes unlimited streaming of ESCARGOT via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    Purchasable with gift card

      ¥4,000 JPY or more 

     

1.
2.
Muse Skip 04:45
3.
Escargot 03:45
Round and Return Don't stop, Moving
4.
5.
I’d rather help myself to something misshapen Not a serious thought but know by intuition refining might be worthy a pearl borns in a mystery they were all so unique but shaped to look the same It’s the raw beauty that I adore refining might be worthy a pearl borns in a mystery I wonder why they make all look the same Imperfection is what I adore Baroque pearls is the reason why I came to like pearls.
6.
East of Eden 04:09
Japanese are good at incorporating foreign cultures into their music. At first it’s just an imitation but they personalize it Not only Blues and Jazz Well Jazz is a fusion of Africa and Europe I think traditional Japanese music is ancient Japanese. But Gagaku and Noh music are originated from China. So where did we get into China? Pure human , it’s meaningless They are all mixed It just needs to be nice and beautiful music. Chorus : Jazz is just a fusion of different cultures <French> Les Japonais sont doués pour incorporer les cultures étrangères dans leur musique. Au début, c’est juste de l’imitation mais qu’ils personnalisent Il n’y a pas que le blues et le Jazz le jazz est en effet la fusion de l’Afrique et L’Europe Je pense que la vieille musique japonaise traditionnelle est le japon ancien. Mais les musiques Gagaku et Noh sont originaires de Chine Alors, où sommes-nous arrivés de Chine? Etre un humain pur, cela n'a pas de sens. Ils sont tous métissés Ça doit juste être une belle musique agréable.
7.
Nega Posi 02:27
8.
Even Shuffle 04:51
9.
10.
Black Morpho 05:05
11.

about

In the live, the cover of Flying Lotus is also played, but now the album is all composed by Tzboguchi, and the classical sound structure of the acoustic piano as a core element is in the ensemble colored by the synthesizer .
Now, in the album, three people first enter the studio and record basic tracks such as piano & synth, guitar and drums. At that time, the idea of changing the concept of the beat is given everywhere, such as changing the tempo and returning the performance, and playing the music with the tempo changing in the first place.
Based on this sound source, ermhoi (Black Boboi) and Kiala (Kodäma) were invited to the vocals, and over 3 months Tzbguchi's own post-production mix was performed, and from Tokyo, european taste fragrant, stateless original music was born.

credits

released June 19, 2019

Ortance are
Masayasu Tzboguchi:Piano, Synthesizer, Synth.Bass, Voice
Shuta Nishida:Guitar, Effect
Kazuya Oi:Drums, Trigger System, Percussion

<Guest Performer>
Kiala Ogawa(Kodäma):Vocal, Spoken Words on 3. 6.
ermhoi(Black Boboi):Vocal, Spoken Words on 5.


All Compositions written by Masayasu Tzboguchi
Recorded by Katsuhiro Tajima at Studio TLive Tokyo Japan December/7,8,9/2018
Post Production & Mixed by Masayasu Tzboguchi
Mastering by Moe Kazama at studio ATLIO Tokyo Japan
Produced by Masayasu Tzboguchi
Art Direction by AYAKOOKUNO
Art Work Design by Wataru Yoshioka

Direction and Executive Produced by Jun Abe(APOLLO SOUNDS)

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about

Masayasu Tzboguchi Tokyo, Japan

1st Album of Ortance by Masayasu Tzboguchi, Shuta Nishida, Kazuya Oi

The world that I could see from the gap of my mind before I continued to search for a marginal position was a landscape that looks like science fiction with a mix of nostalgia and futuristic.
Masayasu Tzboguchi
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